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When it was released in 1976, it was nevertheless banned in a few Muslim countries, chiefly Saudi Arabia. However, procuring financial and moral support for films about the Middle East has always been a challenge for Trancas International Films, the production company established by the Syrian-American director and now run by his son.ĭuring the 1970s, Moustapha Akkad fought to persuade Islamic clerical establishments that The Message would conform to Islamic law.
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We have a script which we are finalising and are now seeking funding for the project.” “We were first dealing with the shock of my father’s death, the shock it had on the business, but now we are in the pre-production stage. Malek Akkad is unperturbed by such criticism: “I am definitely continuing work on Saladin,” he said. He told Al Jazeera: “The only way the new Saladin film could have any serious potential is be sold via those highly charged, polarizing religious themes such as the religious conflicts and the Christian-Muslim clashes in particular.” However, Fahim admits that while Scott’s film “played it safe”, an Akkad production could become a blockbuster if it tackles highly politicised issues. It will attract the same limited audiences who went to see Syriana (2005) and the many documentaries about Iraq.” He said: “ Kingdom of Heaven proved that Americans simply don’t care even after the war in Iraq and 9/11. Joseph Fahim, a Cairo-based film critic and columnist, says the lacklustre performance of Ridley Scott’s Kingdom of Heaven (2005) indicates that both North American and Arab viewers are not interested in a film about the Crusades. Some film critics, however, believe a film about a Muslim hero set against the backdrop of the Crusades will fail at the North American box-office. He may still play a part but likely not Saladin.” In 2006, he turned down a part in the new Indiana Jones film currently being made by Steven Spielberg and George Lucas, despite having appeared in an earlier film in the series.įilm blogs and Connery fans speculated whether the actor would stand in front of the camera one last time.Īkkad said: “No, Sean Connery might not be in it but it is too early to tell. In 2003, when the Akkad’s were putting together a script and cast, Sean Connery had been singled out as the lead candidate to play the iconic hero Saladin.īut Connery, the Scottish actor known for his portrayal of James Bond, has since retired from major acting endeavours. We can’t ask Hollywood to make our films for us – we need to change our own image.” He said: “We must make films about the Middle East, Islam. Right now, we are working on several scripts that deal with political issues but are not propagandistic.”Īkkad explained that his father believed that Arabs themselves must work within the system to challenge Hollywood stereotypes. “My being here in Hollywood, I see it every day and the image of Arabs here is horrible. Nevertheless, Malek Akkad says he is determined to continue his father’s mission to change the way Tinsel Town and mainstream western media stereotype Arabs and Muslims. The film won rave reviews in the Arab world but received little commercial attention in Hollywood. The allusions and parallels were clear – a highly modernised foreign army (European, in this case) invades and occupies Arab lands. This was followed by 1981’s Lion of the Desert, a film about a Libyan school teacher who stood up to Italy’s military ventures in the early 1920s. In 1976, he directed Arabic and English versions of The Message, a film about the Prophet Mohammed. Throughout his career, Moustapha Akkad sought to create an atmosphere of understanding between Islam and the West. Highly anticipated, and perhaps controversial, the film was to illustrate the character of Saladin as a Muslim general and tactician during the Crusades and was designed to offer a different perspective of Islam at a time when terrorism and extremism dominated the east-west discourse.
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“Now that I have finished Halloween I am finally free to re-visit the making of Saladin.” “He had been focusing on overseas film projects while I was responsible for the North American film projects such as the Halloween series.” “My father had been semi-retired at the time of his death,” he said. Known in the Middle East as the director of films about Islam and Arab nationalism, Akkad died before completing his most ambitious project – Saladin.īut Malek, Akkad’s son, has pledged to continue where his father left off.
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In November 2005, Moustapha Akkad, the Syrian-American executive producer of the Halloween franchise, was killed in a bomb blast in Amman.